Skip to content
In English
- “Everything is New: The Publishers, the Writers, and Most Importantly, the Readers”. Bookbird, Vol. 58, No. 2 (2020): 1-12 [with E. Asonova; trans. by I. Leyn].
- “Feminism in Contemporary Russian Children’s Literature, or How to Translate the Word Avtorka into English.” Russian Studies in Literature, Vol. 55, Nos. 3-4 (2019): 233-245 [with E. Asonova; trans. by N. Favorov]
- “The Woman Question in Russian Children’s Literature,” Russian Studies in Literature, Vol. 55, Nos. 3-4 (2019): 140-146 [trans. by N. Favorov]
- “Why Are They So Afraid of Children’s Books? The Subversive Power of Imagination” (Part 1), Dzieciństwo. Literatura i Kultura, Vol. 1, No. 2, (2019): 170-187.
- “Why Are They So Afraid of Children’s Books? The Subversive Power of Imagination” (Part 2), Dzieciństwo. Literatura i Kultura, Vol. 1, No. 2, (2019): 188-208.
- “A Child as a Flâneur and a Voyeur: The Imaginative Space of Streets and Museums,” Filoteknos, Filoteknos, Vol. 9 (2019): 221-237.
- “Harry Potter, the Seducer: A Psychological Illusion in Action,” Papmambook, April 12, 2018.
- “Reports of Its Death Are Greatly Exaggerated: The Making of Contemporary Russian Children’s Literature,” Russian Studies in Literature. Russian Children’s and Young Adult Literature. Vol. 52, No. 2 (2016): 103-113 (Trans. by K. Cargill).
- “Magical Realism and Images of Death in Contemporary Russian
Prose for Young Readers,” Filoteknos, Vol. 5 (2015): 136-150.
- “Behave Yourself! From Grandma’s House to the Airplane,” The Five Owls, 19:2 (2007): 1-9.
- Book reviews in The Five Owls: Shelley Pearsall’s Crooked River (2007); John Green’s Looking for Alaska (2006); William Durbin’s Blackwater Ben (2005); Sharon G. Flake’s Begging for Change (2004).